Jet
M@W
NOIS
Fully
Grace
are you ready?
bobcaygeon
nautical
use it up
courage(where were you, courage, I'm talking to you)
weaken
poets (dont' tell me, OK, do, Don't, OK do)
Dark Canuck
100th
Dire
gift shop
bones
encore:
Scared
Tore
Blow
I think I have it right, my mind is a little foggy, I also have about
60 shots from the pit, I was dirsctly in front of Gord D. I will find a
site and post them later, now I must get to work!!!
-Sean E.
October 06, 2002
By Mark Bialczak
Staff writer
Gordon Downie took the Landmark Theatre stage Saturday night and began to have a conversation with himself.
It didn't matter that he's the lead singer of top Canadian rock band The Tragically Hip, and he had a microphone in his hand to deliver his wisdom to an assortment of 2,000 or so stoked-up music lovers from above and below the border.
That's been the allure of The Hip since Downie got together with guitarists Robby Baker and Paul Langlois, bassist Gord Sinclair and drummer Johnny Fay in Kingston some 15 years ago.
Sometimes Downie goes into his flailing, Big Bird-like dance. Sometimes he's quiet as a mouse. Sometimes he's shouting from the core of his beliefs. Sometimes he's sharing quirky little between-song couplets like Saturday night's verse of "I'm in love with a cop, and I ain't gonna stop."
At all times, from the concert opener, "Silver Jet," from the band's latest disc, "In Violet Light," to the third encore song, the favorite "Blow at High Dough," he's the deserving center of attention.
What's Gordon gonna do next?
This crowd in downtown Syracuse dance and sang along to it all.
They already knew the words and moves to the new songs, which included "Are You Ready," "Use It Up" and "Dark Canuck." But they really knew the words and moves to Hip standards, such as "New Orleans Is Sinking," "Fully Completely," "Grace, Too," "Nautical Disaster," "Courage," "Good Life," "At the Hundredth Meridian," "Gift Shop" and even more.
So they shared all those mantras, the fans standing there in so many hockey jerseys, and Downie cavorting in a pea-green, button-down shirt.
A cool light show featured changing-hued strobes at just about head level and brights aimed at the house strong enough to tan in October.
It all came together in the favorite "Poets" - the mesmerizing atmosphere, the funky guitar work, the Rolling Stones-like sass with Downie the revved-up Jagger, and Langlois the reserved Richards.
Fellow Canadian Sam Roberts and his four-piece band tried to whip things up early, urging fans to stand and party along.
It was obvious that he's more popular up north; Canadians sang the words to his favorite "Don't Walk Away, Eileen" and Americans tried to catch up to the buzz.
"'Don't Walk Away Eileen' is for every girl who every broke my heart," Roberts told the crowd. "That's one girl. Eileen."
The fans felt his pain.
They also seemed to like his bluesy feel in "Taj Mahal" and the jangle-chime guitar attack and relentless beat of all of his rockers.
Roberts recently signed a contract to have his material released in
the United States by Universal Records. He's bound to make more fans down
this way.
Silver Jet
Music @ Work
100th Meridian (Life is forgetting, and I remember everything)
Grace Too
Nautical
The Dark Canuck
The Dire Wolf
NOIS
Little Bones
Courage
Poets
Fireworks
Fully Completely
Giftshop
Bobcaygeon
Are You Ready
Weaken
Encore (Correct)
Scared
All Tore Up
Blow at High Dough
Not a spectacular set but an above average crowd. Gord was in an extra energetic mood, constantly girating. During the last song of the encore he stated "Syracuse, there's no excuse!" It seems that during the end of All Tore Up "Drink Up Boys, it's time to go." is pretty standard. I saw these unkempt gentlemen walking outside the theatre before hand then when I got in the show it was Sam Roberts and his band. I was a Sam Roberts fan before but now I am a devoted fanatic. He rocked the house given the fact the 50% of the crowd was in the lobby getting boozed. Is it me or does Johnny Fay look like he's in pain the entire show? I hope they play arena's again like they did in the end of 2000!
Mike
PS I got to see Mark Malone from ESPN's NFL2Night at the Dinosaur BBQ
before the show!
-Melissa
(I was thinking that if we had gone right to our seats - in the pit
- instead of trying to get a drink and Karen had passed out there that
just maybe the events could have made it into one of Gord's rants!)
After the show, the girlfriend and I went around back to see what we could see. Gord graciously signed the setlist(he was visibly depleted), and took a picture. Robby also signed it for us, so did Johnny. Didn't see Sinclair and Langlois. Anyone else notice that the tech-roadie with the cowboy hat was on ritalin or something?
Anyways, amazing time. Ate at Dinosaur's, thanks to whomever suggested
it. I always get a good little smirk on the way home from New York State...Anyone
else make a point to notice the "Last American Exit" sign?
-Andre C.
This was my 6th show and being in the front row (not the first time) brings a new perspective to the whole experience. I was much more into watching the whole band this time. One of the tings I really noticed is the different playing styles between Bobby and Paul.Ý Paul slings his guitar very low and Bobby keeps his near his waist. The other thing I noticed is that Johnny doesn't seem to get any older looking. He still has a very boyish face. And yes, I did notice that he looks like he is in pain the whole time he plays.
All in all it was a great show. Hope to see the boys back in Syracuse soon.
Peace,
Brian