From the “Burlington Free Press”

Tragically Hip returns for two sold-out shows

Published: Monday, April 16, 2007
By Brent Hallenbeck
Free Press Staff Writer

Why is it, Gord Sinclair, that The Tragically Hip is so popular around these parts?

“It’s a credit to the good taste of the people of Burlington,” according to the band’s bass player. That was his half-joking response. His serious answer attributes the Canadian rock band’s tendency to play sold-out shows in Vermont — as it’s doing tonight and Tuesday at Higher Ground — to a mix of geography and adventurousness.

The geography relates to the band’s roots in Kingston, Ontario, which, Sinclair pointed out, is about 20 kilometers (that’s a little more than a dozen miles to us metrically challenged Americans) from Watertown, N.Y., placing The Tragically Hip’s home base closer to a host of U.S. burgs than to Canadian cities such as Vancouver. When the band’s vocalist, Gordon Downie, sings about intrigue on the ice on “The Lonely End of the Rink” from the new Hip album “World Container,” fans in hockey-absorbed communities like Burlington just nod at their neighbors to the north and say, “I hear ya.”

Sinclair, speaking recently by phone during a tour stop in Seattle, also suspects the Vermont way of thinking has something to do with his band being a consistently big draw here. “Generally speaking, people in your neck of the woods are more open-minded to things that are not from America,” he said, nothing that local fans also seem more accepting of music that’s not spoon-fed to them by radio. “We’ve never had the benefit of a stateside single. With a group like ours, all you have to do is get us in front of people.”

That live show Sinclair referred to is The Tragically Hip’s trademark. Downie’s dervish-like persona and the band’s musical intensity in a live setting are legendary, even if they haven’t always transferred that power into the studio.

They come close with “World Container,” the 12th Tragically Hip album. The band leaned on producer Bob Rock, known for his work with hard rockers Metallica and Motley Crue and not so much with anthemic pop-rockers like The Tragically Hip.

“What he brought to us was a real focus on each individual song,” according to Sinclair. Rock helped refine the arrangement of “The Lonely End of the Rink,” Sinclair said, turning the track into a Who/U2/Midnight Oil-styled rampage that’s one of the disc’s highlights. His contributions weren’t all about frenzied moments, though; Sinclair said Rock also steered the band toward an elegant piano texture on the track “Pretend.”

“He just has a really focused ear,” Sinclair said. “He became the ersatz sixth member of the group.”

Speaking of The Who, an obvious influence on the band, The Tragically Hip recently played several opening dates for the legendary British rockers. The Tragically Hip has been around more than 20 years and the band members are in their 40s, but they still feel a rush of teenage hero worship around Roger Daltrey and Pete Townshend.

“It’s impossible to divorce yourself from when you’re 15 years old,” Sinclair said. “We grew up with that group.

“Opportunities like that make you a better band. You have to get up and you have to entertain these rabid Who fans,” according to Sinclair. “In terms of a dream come true, that’s right up there.”

The Tragically Hip might be aiming toward a little of their own Who-like longevity. It’s already rare for a band to have the same five members it started out with more than two decades earlier. Sinclair said there are moments when they get together after time away and find themselves saying, “How can we do this again?” Yet they always manage.

“We’ve grown up together, put the band together as young men doing this. It’s based around our friendship and the bond we have as a group. It’s a collective experience, a shared experience,” Sinclair said.

“It is a lifelong bond.”

Contact Brent Hallenbeck at 660-1844 or bhallenb@bfp.burlingtonfreepress.com

SETLIST: 2007-04-18 – Clifton Park, NY

Northern Lights, Clifton Park, New York

01: In View
02: My Music At Work
03: Grace, Too
04: Boots Or Hearts
05: Family Band
06: Ahead By A Century
07: Yer Not The Ocean
08: Courage (For Hugh Maclennan)
09: Bobcaygeon
10: World Container
11: Springtime In Vienna
12: At The Hundredth Meridian
13: It’s A Good Life If You Don’t Weaken
14: The Kids Don’t Get It
15: Fireworks
16: Scared
17: Fire In The Hole

Encore
18: COVER: “I Want You” by Bob Dylan
19: New Orleans Is Sinking
Setlist from 2007-04-18 - Clifton Park, NY
Setlist image provided by Andrew Scorsone

SETLIST: 2007-04-17 – Burlington, VT

Higher Ground, South Burlington, Vermont

01: The Lonely End Of The Rink
02: Fully Completely
03: Yer Not The Ocean
04: The Dire Wolf
05: In View
06: Ahead By A Century
07: Luv (Sic)
08: Poets
09: Thugs
10: Pretend
11: Puttin; Down
12: Grace, Too
13: Bobcaygeon
14: Gift Shop
15: Fly
16: Long Time Running
17: Family Band
18: Blow At High Dough

Encore
19: Greasy Jungle
20: COVER “Tax Man” by The Beatles
21: Fireworks

SETLIST: 2007-04-16 – Burlington, VT

Higher Ground, South Burlington, VT

01: In View
02: New Orleans Is Sinking
03: The Drop-off
04: It’s A Good Life If You Don’t Weaken
05: Family Band
06: Bobcaygeon
07: Yer Not The Ocean
08: My Music At Work
09: Gus: The Polar Bear From Central Park
10: World Container
11: Springtime In Vienna
12: At The 100th Meridian
13: Sherpa
14: The Kids Don’t Get It
15: Courage
16: Fiddler’s Green
17: The Lonely End Of The Rink
18: Little Bones

Encore
19: Let’s Stay Engaged
20: COVER: “Child Of The Moon” by The Rolling Stones
21: Blow At High Dough

Lancaster Online.com asks “Too Hip for America?”

Lancaster Online.com
By JOHN DUFFY, Correspondent
Sunday News

Published: Apr 15, 2007 12:02 AM EST

LANCASTER COUNTY, Pa – For serious music fans and semi-serious rock scholars, it’s a common topic of discussion: Why can some Canadian bands cross over to the United States and find success, while others can’t?

There’s no consistent rule of thumb.

For every Bryan Adams there is a 54-40 (who?), for every Nelly Furtado a Sarah Harmer or Kathleen Edwards.

One of the bands that tops the shortlist of great Canadian acts most people below the 49th parallel have never heard of is the Tragically Hip.

Formed in 1983 by Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass) and Johnny Fay (drums) — all childhood friends growing up in Kingston, Ontario — the Hip didn’t appear on record until six years later.

Over the next 15 years, the Hip became one of Canada’s most revered and respected bands through its frenetic live shows and pursuit of a distinctive sound.

The blending of loud, angular guitars with Downie’s wildly poetic lyrics gave the band a truly original sound: melodic, earnest, aggressive and demanding.

Hip songs often examine elements of Canadian history and identity in ways outsiders can’t understand. In the same way Bruce Springsteen conjures images and icons of American culture, from Walt Whitman to Woody Guthrie to Charlie Starkweather to the anonymous Sept. 11 widow, the Hip speaks for Canada.

But for some reason, a band that has sold 6 million records in its native land and can fill hockey arenas with ease can’t break through in the United States.

The Hip will play Lancaster’s Chameleon Club at 7 p.m. April 22.

In the 1990s, the band made serious inroads into New England and the upper Midwest, regions served well by college radio, but failed to break through nationally.

A 1995 performance on “Saturday Night Live” at the urging of fellow Canadian Dan Aykroyd, who gave them an enthusiastic partisan introduction, didn’t do the trick.

Earlier this year, the Hip opened several arena-size shows for the Who, and the band has sold out most of its current U.S. club tour. Perhaps this will be their year.

The band’s latest album, “World Container,” was released in the United States in early March, and the excellent two-disc set “Yer Favorites,” an essential introduction to the Hip, is widely available.

There’s no reason why the Tragically Hip couldn’t be as big in America as an REM, with cerebral lyricist Michael Stipe being a close analogue to Downie.

“I could do hours on this subject,” Downie told the Toronto Sun. “You know, why not? Why isn’t Canadian film big down there? Is Paul Martin big down there?

“Who are you comparing us to? The Barenaked Ladies? Our music is entirely different. Nickelback? Avril? Because of the people we are and the music we make, we get the success we deserve.”

In other words, Downie isn’t really that concerned with breaking open America. He realizes that what makes the Hip unique may or may not be some Canadian “otherness,” or perhaps it’s something of the band’s own making.

Fortunately, the band can laugh about it.

Canada possesses, as Vancouver writer Steve Burgess so aptly put it, a sense of humor that is often directed at its own reflection. Or as Hip drummer Fay once told Billboard magazine: Being Canada’s biggest band is like being “the world’s tallest midgets.”

It’s Fundraising Time!

We need your help. The Hip Tracker needs to be moved to a dedicated server. A good friend/taper/trader/Hip fan has donated a server, and installed the required software. Another will set it all up.

I am going to house the server at my office (I am a partner in a print management company – www.twinprographics.com) and will use our business connection.

Our costs now will involve the dedicated connection, and the hardware required to keep the server online – cabling and a new router. If you can help with our current drive, please click on the banner to donate via PayPal.

As an added perq, Hip fan “SRB” has posted an amazing 1985 recording to the tracker that he acquired through an eBay purchase.
TheHipTracker.com New Server Donation Ticker!

Hugh’s Review: 2007-04-14 – Cleveland, OH

It seems I see some of the best Hip performances in Cleveland. This show was no exception. The sold out HOB was packed with a large contingent of Buffalo Hip fans. This was a high energy crowd feeding of the Hip’s excellent sound. At one point during the show Gord stated, “I am the god of electricity and these are my minions”, pointing to all of us. Gord and the band led us on a wonderful musical journey. I thought it was one of the best set lists of the World Container tour with an excellent mix of old and new songs.

One surprise was a new lead in to Daredevil. Instead of Hiccups, “Burn on Big River” by Randy Nueman was played. Burn on Big River and Chagrin Falls were excellent and both were very appropriate with all of the Ohio references. During the 100th Meridian jam, Gord unplugged his mike from the cord and threw the mike into the crowd. A woman in the front row made a nice one handed grab and caught it. She held it in her fist and pumped it in the air. She eventually gave it back. This was followed by Last of the Unplucked Gems. A nice choice to pull out of the large music catalogue that The Hip posses.

I hated to see the evening end because I had so much fun at the show, but the encore set was fantastic. Can I say Emperor F**king Penguin! Hello?! Then that great song was followed by the band’s cover of Gordon Lightfoot’s Wreck of the Edmund Fitzgerald. I love that song and The Hip played it with great energy and bravado. The show ended with Fully, Completely. Before Gord left the stage, he ended the show as he did the other nights. He knelt down and ground the mike into the stage floor. He was snuffing the mike out like a smoker who was extinguishing his finished cigarette.

I had the best time these last 3 days going to 3 show in a row. I must say I’m exhausted, worn out and very happy. The Hip entertained me with great songs and very few repeats in each set list. I enjoyed seeing my Hip Head friends who went to the shows with me. Being with others who enjoy the music as much as I do just makes things more fun. Carolyn and I want to give a special thank you to The Hip and their crew for letting us hang out with them. We really appreciate it.

SETLIST: 2007-04-14 – Cleveland, OH

House Of Blues, Cleveland, OH

01: In View
02: New Orleans Is Sinking
03: The Drop Off
04: COVER: “Burn on Big River” > Daredevil
05: Family Band
06: Ahead By A Century
07: Yer Not The Ocean
08: Nautical Disaster
09: Chagrin Falls
10: World Container
11: Fireworks
12: At The 100th Meridian
13: Last of the Unplucked Gems
14: Gift Shop
15: Fly
16: Bobcaygeon
17: The Lonely End Of The Rink
18: Blow At High Dough

Encore
19: Emperor Penguin
20: COVER: “Wreck of the Edmund Fitzgerald” by Gordon Lightfoot
21: Fully, Completely

Hugh’s Review: 2007-04-13 – Detroit, MI

We witnessed another good show at The Hip’s second night at the State Theater. The crowd was smaller than the band’s first sold out night, but there was a fever pitch in the air. For those of us who came to both shows, the set list varied nicely. Boots & Hearts, Dire Wolf, Puttin’ Down, Locked and Iggy Pop’s “Cold Metal” were some of my favorites from the night.

Wheat Kings was exceptionally good for two reasons. Robbie played most of the song with two guitars slung around him. The first he played slide guitar style, with his guitar held horizontally in front of him like many country & western guitar players do. Then he passed off that guitar and played the other as he normally does. At the end of the song Gord recited a new poem or lyrics that I am willing to bet shows up in some future Hip song. The ryhme and rythm really caught my attention.

Its hard for me to say which Detroit show was better. They each had their good qualities. If I had to pick one, I guess it would be tonight because all the guys seemed to be having so much fun playing together. During the phenomenal Iggy Pop cover, sweat was constantly dripping from the brim of Gord’s hat. They finished the night with Fire in the Hole. As the song neared the end, Gord began to knock the mikestand over then bring it back upright by stepping on the base before it hits the floor. Gord was doing this flawlessly, then suddenly tripped, falling flat on his back. Surprised but unfazed, Gord continued on without missing a beat.

Something new I noticed about how Gord ended each show in Detroit. He said his thank yous and good byes then took the mike and knelt down, driving it into the floor with a klunck and some finality. It probably means nothing, but I thought it was different.

We spoke with the band after the show and found out they weren’t leaving town until 3:00 am. They were heading back to the casino to kill some time. All the guys showed up except for Gord D. who wisely stayed back to rest his body and voice. We ended up in the casino bar watching a band perform a Mowtown Review / Morris Day & The Time impersonation. A large number of gamblers had gravitated to the source of the music. One patron passed out in his seat during the show. Many women were doing line dances to the old 80’s dance music. One woman got so into the music she gave the passed out gent a fully clothed lap dance without him even waking up. She was gyrating inches from his face
and he never budged or batted an eyelash. This spectical had myself and many others, including the band members, laughing in amazement at what was occuring.

It just happened to be the final song of the night for this cover band. When the music stopped the woman simply walked away. Within 30 seconds the drunk guy woke up because there was no longer any loud music playing. He was totally oblivious to missing out on a free erotic dance. With that we parted ways with a promise to follow the band to Cleveland.