Hugh’s Review: 2007-04-14 – Cleveland, OH

It seems I see some of the best Hip performances in Cleveland. This show was no exception. The sold out HOB was packed with a large contingent of Buffalo Hip fans. This was a high energy crowd feeding of the Hip’s excellent sound. At one point during the show Gord stated, “I am the god of electricity and these are my minions”, pointing to all of us. Gord and the band led us on a wonderful musical journey. I thought it was one of the best set lists of the World Container tour with an excellent mix of old and new songs.

One surprise was a new lead in to Daredevil. Instead of Hiccups, “Burn on Big River” by Randy Nueman was played. Burn on Big River and Chagrin Falls were excellent and both were very appropriate with all of the Ohio references. During the 100th Meridian jam, Gord unplugged his mike from the cord and threw the mike into the crowd. A woman in the front row made a nice one handed grab and caught it. She held it in her fist and pumped it in the air. She eventually gave it back. This was followed by Last of the Unplucked Gems. A nice choice to pull out of the large music catalogue that The Hip posses.

I hated to see the evening end because I had so much fun at the show, but the encore set was fantastic. Can I say Emperor F**king Penguin! Hello?! Then that great song was followed by the band’s cover of Gordon Lightfoot’s Wreck of the Edmund Fitzgerald. I love that song and The Hip played it with great energy and bravado. The show ended with Fully, Completely. Before Gord left the stage, he ended the show as he did the other nights. He knelt down and ground the mike into the stage floor. He was snuffing the mike out like a smoker who was extinguishing his finished cigarette.

I had the best time these last 3 days going to 3 show in a row. I must say I’m exhausted, worn out and very happy. The Hip entertained me with great songs and very few repeats in each set list. I enjoyed seeing my Hip Head friends who went to the shows with me. Being with others who enjoy the music as much as I do just makes things more fun. Carolyn and I want to give a special thank you to The Hip and their crew for letting us hang out with them. We really appreciate it.

SETLIST: 2007-04-14 – Cleveland, OH

House Of Blues, Cleveland, OH

01: In View
02: New Orleans Is Sinking
03: The Drop Off
04: COVER: “Burn on Big River” > Daredevil
05: Family Band
06: Ahead By A Century
07: Yer Not The Ocean
08: Nautical Disaster
09: Chagrin Falls
10: World Container
11: Fireworks
12: At The 100th Meridian
13: Last of the Unplucked Gems
14: Gift Shop
15: Fly
16: Bobcaygeon
17: The Lonely End Of The Rink
18: Blow At High Dough

Encore
19: Emperor Penguin
20: COVER: “Wreck of the Edmund Fitzgerald” by Gordon Lightfoot
21: Fully, Completely

Hugh’s Review: 2007-04-13 – Detroit, MI

We witnessed another good show at The Hip’s second night at the State Theater. The crowd was smaller than the band’s first sold out night, but there was a fever pitch in the air. For those of us who came to both shows, the set list varied nicely. Boots & Hearts, Dire Wolf, Puttin’ Down, Locked and Iggy Pop’s “Cold Metal” were some of my favorites from the night.

Wheat Kings was exceptionally good for two reasons. Robbie played most of the song with two guitars slung around him. The first he played slide guitar style, with his guitar held horizontally in front of him like many country & western guitar players do. Then he passed off that guitar and played the other as he normally does. At the end of the song Gord recited a new poem or lyrics that I am willing to bet shows up in some future Hip song. The ryhme and rythm really caught my attention.

Its hard for me to say which Detroit show was better. They each had their good qualities. If I had to pick one, I guess it would be tonight because all the guys seemed to be having so much fun playing together. During the phenomenal Iggy Pop cover, sweat was constantly dripping from the brim of Gord’s hat. They finished the night with Fire in the Hole. As the song neared the end, Gord began to knock the mikestand over then bring it back upright by stepping on the base before it hits the floor. Gord was doing this flawlessly, then suddenly tripped, falling flat on his back. Surprised but unfazed, Gord continued on without missing a beat.

Something new I noticed about how Gord ended each show in Detroit. He said his thank yous and good byes then took the mike and knelt down, driving it into the floor with a klunck and some finality. It probably means nothing, but I thought it was different.

We spoke with the band after the show and found out they weren’t leaving town until 3:00 am. They were heading back to the casino to kill some time. All the guys showed up except for Gord D. who wisely stayed back to rest his body and voice. We ended up in the casino bar watching a band perform a Mowtown Review / Morris Day & The Time impersonation. A large number of gamblers had gravitated to the source of the music. One patron passed out in his seat during the show. Many women were doing line dances to the old 80’s dance music. One woman got so into the music she gave the passed out gent a fully clothed lap dance without him even waking up. She was gyrating inches from his face
and he never budged or batted an eyelash. This spectical had myself and many others, including the band members, laughing in amazement at what was occuring.

It just happened to be the final song of the night for this cover band. When the music stopped the woman simply walked away. Within 30 seconds the drunk guy woke up because there was no longer any loud music playing. He was totally oblivious to missing out on a free erotic dance. With that we parted ways with a promise to follow the band to Cleveland.

SETLIST: 2007-04-13 – Detroit, MI

State Theatre, Detroit, MI

01: The Lonely End Of The Rink
02: Courage
03: Yer Not The Ocean
04: Boots Or Hearts
05: In View
06: Ahead By A Century
07: Luv (Sic)
08: Poets
09: The Dire Wolf
10: Pretend
11: Puttin’ Down
12: Locked In The Trunk Of A Car
13: Wheat Kings
14: The Kids Don’t Get It
15: Grace, too
16: Scared
17: Family Band
18: Blow At High Dough

Encore
19: Summer Is Killing Us
20: COVER: “Cold Metal” by Iggy Pop
21: Fire in the Hole

Hugh’s Review: 2007-04-12 – Detroit, MI

The Hip played a high energy show to a sold out State Theater in Detroit. The crowd pulsed with every beat the band played. Gord D. gyrated across the stage and feed off the reaction he got from his singing and dancing. He kept wandering to stage left where the fans were particularly into Gord’s performance. They were singing along and reaching out to him.

I was so impressed with The Hip’s performance. Every member was showcasing the talents they posses. Gord D. brought us along on his roller coaster ride with great singing, dancing and his uncanny ability to act out his emotions. Rob was on fire with blazing solos. Downie announced during the show that Happy Birthday wishes go out to Robbie on this day. Gord also said Rob shared his birthday with David Cassidy. (I’m sure there was an inside joke there). Paul was solid with his own leads and backing vocals. Gord Sinclair was plucking his bass and getting some incredible twangs. He really sounded good. I was most impressed with Johnnie Fay. His drum play was unassuming, yet powerful at the same time. I think the Bob Rock influence on Johnnie’s playing is noticable. John told me himself after the show that he has found a new groove. He played his stripped down Yamaha drum set so loud, but with great ease.

The show had many highlights. The set list included nice suprizes such as Thugs and Long Time Running. During Family Band a crowd surfer made it over the barrier with his pants well below his bare ass. Gord S. and Robbie got a good laugh from that. Nautical Disaster was good with Gord paddling himself across the stage into the end speaker stack. During Springtime a bra was thrown and landed in front of Rob. Gord eventually found it and sniffed it warily. He began running back and forth across the stage waving it behind him. He eventually tossed it back into the crowd. He then casually walked over to Sinclair and wiped his brow with his white hanky. 100th Meridian was awesome with Gord boxing his mikestand and throwing it high into the air three times. It was bent and battered when he was done with it. He straightened it out and crouched down leaning against the base. He leaned back on the mikestand at a 45 degree angle. He was using it like a rocking chair. He put his hanky over his face and “fell asleep” while Robbie played esoteric riffs on his guitar. Gord began spinning with his blindfold over his face. He eventually jumped up and ranted about dreaming he was spinning.

During Fully, Completely Gord was twirling his mike and cord ala Roger Daltry style. He began twirling it horizontally, letting it wrap around his neck like a tetherball on a pole. The mike would strike his neck and he would reverse it the other way. He did it numerous times. He ended the song using his hanky like the tail on a rooster/peacock.

The encore was fantastic. During Don’t Wake Daddy, Gord and Paul sang different lyrics at the same time. Gord went over to Paul and stuck his mike in Paul’s ear and sung loudly while Paul sang his own lyrics. Gord was trying to mess up Paul. Paul was laughing, but kept his part straight. This was followed by Black Day in July. The song was great even though Gord had to read portions of the lyrics. The show ended with On the Verge. Johnnie increased the beat 10 times to end the song. He was flailing wildly and came to a sudden stop.

After the show we were invited to meet Robbie, Paul and John at the Greektown Casino for a few birthday drinks. We had a great time chatting with the guys. Paul told me how he became a band member. I knew some of the story already, but he gave me some great background on how things happened. I like all the guys, but Robbie has always been especially nice to me and my wife Carolyn. He spoke to everyone while playing video poker. Johnnie, Billy Ray, The Hip’s manager and Rick, the head of security, were hanging out too. Paul paid me a nice compliment and told me I was one of the most intense Hip fans he has met throughout his years of playing. He hoped my interest in the the band would continue. With experiences like this….you know it will.

SETLIST: 2007-03-12 – Detroit, MI

State Theatre, Detroit, MI

01: In View
02: New Orleans Is Sinking
03: The Drop Off
04: Gus: The Polar Bear From Central Park
05: Family Band
06: Bobcaygeon
07: Yer Not The Ocean
08: Nautical Disaster
09: Thugs
10: World Container
11: Springtime In Vienna
12: At The 100th Meridian
13: It’s A Good Life If You Don’t Weaken
14: The Kids Don’t Get It
15: Fully Completely
16: Long Time Running
17: The Lonely End Of The Rink
18: Little Bones

Encore
19: Don’t Wake Daddy
20: COVER: “Black Day in July” by Gordon Lightfoot
21: On the Verge

FIVE THINGS: About the Tragically Hip

FIVE THINGS: About the Tragically Hip

April 12, 2007
BY EMILIANA SANDOVAL
FREE PRESS STAFF WRITER

Canadian rockers the Tragically Hip will be at the State Theatre in Detroit tonight and Friday. Doors open at 6:30, and maple leaf attire is welcome.

THE BAND

The name comes from a skit in Michael Nesmith’s “Elephant Parts,” and the band formed in Kingston, Ontario, in 1983. Vocalist Gord Downie, guitarists Paul Langlois and Rob Baker, bassist Gord Sinclair and drummer Johnny Fay were childhood buddies. The band is egalitarian: Everyone makes the same amount of money, and nobody’s in a position to fire anyone.

The Hip is huge in Canada, with a whole slew of Juno Awards. It’s in the Canadian Hall of Fame and has a star on the Canadian Walk of Fame in Toronto.

Fellow Canadian Dan Aykroyd is a fan and got the guys a guest spot on “Saturday Night Live” in 1995.

They love hockey and often reference it in songs.

FANATIC FANS

The band has a legion of dedicated fans called Hip heads. Some travel from show to show. The double disc “Yer Favourites” was so named because the fans voted on what songs they wanted.

Fans can post stories, called the Hip Story Project, online at www.thehip.com.

LIVE AT COBO

The 1998 album “Live Between Us” was recorded at Cobo Arena.

“We wanted to do an album that really represented us live — no cutting, overdubs,” said drummer Fay. “We wanted it completely authentic and the best night we played was in Detroit, which was funny because it was our official Canadian tour.

“I grew up listening to Yes, and they did two records at Cobo. And, of course, Kiss did one. When you’re onstage you play better in certain rooms, and Cobo is like that.”

THE NEW ALBUM

“World Container,” released in the States last month, was produced by Bob Rock, who produced Metallica and glam rockers Mötley Crüe. It was recorded in Toronto, Vancouver and Hawaii, where Rock lives.

“He did a great job of capturing the live band sound,” Fay said. “We really enjoyed working with Bob. He’s very grounded, always listened to what we had to say. He was a great coach on the drums.”

THE SHOW

Fay says the band will play stuff off the new album and some old favorites. The set lists for the tour are on the band’s Web site, and new songs “In View,” “The Lonely End of the Rink” and “Yer Not the Ocean” show up frequently. For old songs, there’s “Grace, Too,” “New Orleans Is Sinking” — written a decade ago — “Scared” and “Fully Completely.”

A hallmark of Hip shows is Downie’s rapid, evocative stream-of-consciousness monologues. Sometimes they become lyrics for future songs. The guy has a way with words — his son’s name is Tarzan.

Summer Tour dates

I’ll update this as more dates get announced:

2007-06-30 – Lewiston, NY at Artpark
2007-07-01 – Lewiston, NY at Artpark
2007-07-12 – Vancouver, BC at GM Place
2007-07-14 – Grande Prairie, AB at Summerslam
2007-07-15 – Calgary, AB at Pengrowth Saddledome
2007-07-18 – Saskatoon, SK at Bessborough Gardens
2007-07-19 to 21 – Detroit Lakes, MN at 10,000 Lakes Festival
2007-09-08 – St. John’s, NL at Mile One Centre
2007-09-11 – Fredericton, NB at The Aitken Centre
2007-09-12 – Saint John, NB at Harbour Centre
2007-09-13 – Halifax, NS at Metro Centre

US Tour – opening act announcement

Wintersleep will be opening for The Hip at the following shows:

05/10/07: Indianapolis: The Vogue
05/11/07: Chicago: House Of Blues SOLD OUT
05/12/07: Chicago: House Of Blues
05/14/07: Minneapolis: First Avenue
05/15/07: Madison: Barrymore Theatre
05/17/07: Toldeo: Zoo Amphitheatre
05/18/07: Erie: Warner Theatre
05/19/07: Towson: Recher Theatre

When Dave isn’t dedicating his time to The Hip or Guster, he thinks about the guys in Wintersleep.

Review: Seattle PI on World Container / 2007-03-29

The Tragically Hip are on top of their game

By SHAWN TELFORD
SPECIAL TO THE P-I
Twenty years in and The Tragically Hip are playing like they’re just getting started. For the first 10 years, the Kingston, Ontario, five-piece played it cool as blues rockers. Gradually, the band edged toward country-rock before eventually settling into a straight-up rock persona that culminated in the seminal records “Day for Night” and “Fully Completely,” from ’94 and ’92, respectively.

For the next 10 years, the Hip steadily released albums driven as much by their guitar work as Gordon Downie’s maverick lyrics. Though he likes to focus on the Canadian experience, the singer’s stories run the gamut of possibility. In fact, his microscope seems to know no bounds, a feat matched only by his ability to subsume big, polysyllabic words into songs (pendulum, biosphere, vaccination), many of which have never seen a song before and probably never will again.

Yet, for Hip-heads, and particularly the lesser-known American variety, this was a frustrating time. Each of the five albums from this era suffered a professional malaise that belabored the Hip. It seemed that Canada’s Greatest Rock Band was going through the motions. The root of the problem was drummer Johnny Fay who, for nearly 10 years, would do little more than keep the beat; his lack of excitement and general laziness haunted the band, keeping their songs locked in 4/4 time.

Thank God for Bob Rock, the studio impresario best known for his work with Motley Crue (“Dr. Feelgood”) and Metallica (“Load,” “Reload” and “St. Anger”), not to mention David Lee Roth and Bon Jovi. Rock not only reawakened the Hip but he pushed them to new levels. The resulting “World Container” is the greatest Hip album ever recorded. The proof was seen in their concert Thursday night at the Moore, a spellbinding, energetic and triumphant display of prowess, expertise and most certainly, an absolute love of rock ‘n’ roll.

Quintessential entertainer and dynamic frontman Downie was soaked with perspiration by about the fifth song. By the 18th (an explosive rendition of the bluesy “Blow at High Dough”), he looked as if he had just stepped out of the shower. His aerobic interpretive dances have always made a Hip show into a spectacle, one to be seen as well as heard, but Thursday night Downie was on fire. Not even his microphone stands could handle his vivacity; he went through two and almost maimed a third.

Rarely do the Hip play songs by other bands; in fact, according to my sources, “Sweet Jane” has been the only exception, but add to the list “Jumping Jack Flash,” an apropos encore song, if not a summation of the new era for the Hip: “It’s a gas! Gas! Gas!”

Shawn Telford is a Seattle-based freelance writer who can be reached at eyeheartmusic@yahoo.com.