SETLIST: 2007-04-17 – Burlington, VT

Higher Ground, South Burlington, Vermont

01: The Lonely End Of The Rink
02: Fully Completely
03: Yer Not The Ocean
04: The Dire Wolf
05: In View
06: Ahead By A Century
07: Luv (Sic)
08: Poets
09: Thugs
10: Pretend
11: Puttin; Down
12: Grace, Too
13: Bobcaygeon
14: Gift Shop
15: Fly
16: Long Time Running
17: Family Band
18: Blow At High Dough

Encore
19: Greasy Jungle
20: COVER “Tax Man” by The Beatles
21: Fireworks

SETLIST: 2007-04-16 – Burlington, VT

Higher Ground, South Burlington, VT

01: In View
02: New Orleans Is Sinking
03: The Drop-off
04: It’s A Good Life If You Don’t Weaken
05: Family Band
06: Bobcaygeon
07: Yer Not The Ocean
08: My Music At Work
09: Gus: The Polar Bear From Central Park
10: World Container
11: Springtime In Vienna
12: At The 100th Meridian
13: Sherpa
14: The Kids Don’t Get It
15: Courage
16: Fiddler’s Green
17: The Lonely End Of The Rink
18: Little Bones

Encore
19: Let’s Stay Engaged
20: COVER: “Child Of The Moon” by The Rolling Stones
21: Blow At High Dough

Lancaster Online.com asks “Too Hip for America?”

Lancaster Online.com
By JOHN DUFFY, Correspondent
Sunday News

Published: Apr 15, 2007 12:02 AM EST

LANCASTER COUNTY, Pa – For serious music fans and semi-serious rock scholars, it’s a common topic of discussion: Why can some Canadian bands cross over to the United States and find success, while others can’t?

There’s no consistent rule of thumb.

For every Bryan Adams there is a 54-40 (who?), for every Nelly Furtado a Sarah Harmer or Kathleen Edwards.

One of the bands that tops the shortlist of great Canadian acts most people below the 49th parallel have never heard of is the Tragically Hip.

Formed in 1983 by Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass) and Johnny Fay (drums) — all childhood friends growing up in Kingston, Ontario — the Hip didn’t appear on record until six years later.

Over the next 15 years, the Hip became one of Canada’s most revered and respected bands through its frenetic live shows and pursuit of a distinctive sound.

The blending of loud, angular guitars with Downie’s wildly poetic lyrics gave the band a truly original sound: melodic, earnest, aggressive and demanding.

Hip songs often examine elements of Canadian history and identity in ways outsiders can’t understand. In the same way Bruce Springsteen conjures images and icons of American culture, from Walt Whitman to Woody Guthrie to Charlie Starkweather to the anonymous Sept. 11 widow, the Hip speaks for Canada.

But for some reason, a band that has sold 6 million records in its native land and can fill hockey arenas with ease can’t break through in the United States.

The Hip will play Lancaster’s Chameleon Club at 7 p.m. April 22.

In the 1990s, the band made serious inroads into New England and the upper Midwest, regions served well by college radio, but failed to break through nationally.

A 1995 performance on “Saturday Night Live” at the urging of fellow Canadian Dan Aykroyd, who gave them an enthusiastic partisan introduction, didn’t do the trick.

Earlier this year, the Hip opened several arena-size shows for the Who, and the band has sold out most of its current U.S. club tour. Perhaps this will be their year.

The band’s latest album, “World Container,” was released in the United States in early March, and the excellent two-disc set “Yer Favorites,” an essential introduction to the Hip, is widely available.

There’s no reason why the Tragically Hip couldn’t be as big in America as an REM, with cerebral lyricist Michael Stipe being a close analogue to Downie.

“I could do hours on this subject,” Downie told the Toronto Sun. “You know, why not? Why isn’t Canadian film big down there? Is Paul Martin big down there?

“Who are you comparing us to? The Barenaked Ladies? Our music is entirely different. Nickelback? Avril? Because of the people we are and the music we make, we get the success we deserve.”

In other words, Downie isn’t really that concerned with breaking open America. He realizes that what makes the Hip unique may or may not be some Canadian “otherness,” or perhaps it’s something of the band’s own making.

Fortunately, the band can laugh about it.

Canada possesses, as Vancouver writer Steve Burgess so aptly put it, a sense of humor that is often directed at its own reflection. Or as Hip drummer Fay once told Billboard magazine: Being Canada’s biggest band is like being “the world’s tallest midgets.”

It’s Fundraising Time!

We need your help. The Hip Tracker needs to be moved to a dedicated server. A good friend/taper/trader/Hip fan has donated a server, and installed the required software. Another will set it all up.

I am going to house the server at my office (I am a partner in a print management company – www.twinprographics.com) and will use our business connection.

Our costs now will involve the dedicated connection, and the hardware required to keep the server online – cabling and a new router. If you can help with our current drive, please click on the banner to donate via PayPal.

As an added perq, Hip fan “SRB” has posted an amazing 1985 recording to the tracker that he acquired through an eBay purchase.
TheHipTracker.com New Server Donation Ticker!

Hugh’s Review: 2007-04-14 – Cleveland, OH

It seems I see some of the best Hip performances in Cleveland. This show was no exception. The sold out HOB was packed with a large contingent of Buffalo Hip fans. This was a high energy crowd feeding of the Hip’s excellent sound. At one point during the show Gord stated, “I am the god of electricity and these are my minions”, pointing to all of us. Gord and the band led us on a wonderful musical journey. I thought it was one of the best set lists of the World Container tour with an excellent mix of old and new songs.

One surprise was a new lead in to Daredevil. Instead of Hiccups, “Burn on Big River” by Randy Nueman was played. Burn on Big River and Chagrin Falls were excellent and both were very appropriate with all of the Ohio references. During the 100th Meridian jam, Gord unplugged his mike from the cord and threw the mike into the crowd. A woman in the front row made a nice one handed grab and caught it. She held it in her fist and pumped it in the air. She eventually gave it back. This was followed by Last of the Unplucked Gems. A nice choice to pull out of the large music catalogue that The Hip posses.

I hated to see the evening end because I had so much fun at the show, but the encore set was fantastic. Can I say Emperor F**king Penguin! Hello?! Then that great song was followed by the band’s cover of Gordon Lightfoot’s Wreck of the Edmund Fitzgerald. I love that song and The Hip played it with great energy and bravado. The show ended with Fully, Completely. Before Gord left the stage, he ended the show as he did the other nights. He knelt down and ground the mike into the stage floor. He was snuffing the mike out like a smoker who was extinguishing his finished cigarette.

I had the best time these last 3 days going to 3 show in a row. I must say I’m exhausted, worn out and very happy. The Hip entertained me with great songs and very few repeats in each set list. I enjoyed seeing my Hip Head friends who went to the shows with me. Being with others who enjoy the music as much as I do just makes things more fun. Carolyn and I want to give a special thank you to The Hip and their crew for letting us hang out with them. We really appreciate it.

SETLIST: 2007-04-14 – Cleveland, OH

House Of Blues, Cleveland, OH

01: In View
02: New Orleans Is Sinking
03: The Drop Off
04: COVER: “Burn on Big River” > Daredevil
05: Family Band
06: Ahead By A Century
07: Yer Not The Ocean
08: Nautical Disaster
09: Chagrin Falls
10: World Container
11: Fireworks
12: At The 100th Meridian
13: Last of the Unplucked Gems
14: Gift Shop
15: Fly
16: Bobcaygeon
17: The Lonely End Of The Rink
18: Blow At High Dough

Encore
19: Emperor Penguin
20: COVER: “Wreck of the Edmund Fitzgerald” by Gordon Lightfoot
21: Fully, Completely

Hugh’s Review: 2007-04-13 – Detroit, MI

We witnessed another good show at The Hip’s second night at the State Theater. The crowd was smaller than the band’s first sold out night, but there was a fever pitch in the air. For those of us who came to both shows, the set list varied nicely. Boots & Hearts, Dire Wolf, Puttin’ Down, Locked and Iggy Pop’s “Cold Metal” were some of my favorites from the night.

Wheat Kings was exceptionally good for two reasons. Robbie played most of the song with two guitars slung around him. The first he played slide guitar style, with his guitar held horizontally in front of him like many country & western guitar players do. Then he passed off that guitar and played the other as he normally does. At the end of the song Gord recited a new poem or lyrics that I am willing to bet shows up in some future Hip song. The ryhme and rythm really caught my attention.

Its hard for me to say which Detroit show was better. They each had their good qualities. If I had to pick one, I guess it would be tonight because all the guys seemed to be having so much fun playing together. During the phenomenal Iggy Pop cover, sweat was constantly dripping from the brim of Gord’s hat. They finished the night with Fire in the Hole. As the song neared the end, Gord began to knock the mikestand over then bring it back upright by stepping on the base before it hits the floor. Gord was doing this flawlessly, then suddenly tripped, falling flat on his back. Surprised but unfazed, Gord continued on without missing a beat.

Something new I noticed about how Gord ended each show in Detroit. He said his thank yous and good byes then took the mike and knelt down, driving it into the floor with a klunck and some finality. It probably means nothing, but I thought it was different.

We spoke with the band after the show and found out they weren’t leaving town until 3:00 am. They were heading back to the casino to kill some time. All the guys showed up except for Gord D. who wisely stayed back to rest his body and voice. We ended up in the casino bar watching a band perform a Mowtown Review / Morris Day & The Time impersonation. A large number of gamblers had gravitated to the source of the music. One patron passed out in his seat during the show. Many women were doing line dances to the old 80’s dance music. One woman got so into the music she gave the passed out gent a fully clothed lap dance without him even waking up. She was gyrating inches from his face
and he never budged or batted an eyelash. This spectical had myself and many others, including the band members, laughing in amazement at what was occuring.

It just happened to be the final song of the night for this cover band. When the music stopped the woman simply walked away. Within 30 seconds the drunk guy woke up because there was no longer any loud music playing. He was totally oblivious to missing out on a free erotic dance. With that we parted ways with a promise to follow the band to Cleveland.

SETLIST: 2007-04-13 – Detroit, MI

State Theatre, Detroit, MI

01: The Lonely End Of The Rink
02: Courage
03: Yer Not The Ocean
04: Boots Or Hearts
05: In View
06: Ahead By A Century
07: Luv (Sic)
08: Poets
09: The Dire Wolf
10: Pretend
11: Puttin’ Down
12: Locked In The Trunk Of A Car
13: Wheat Kings
14: The Kids Don’t Get It
15: Grace, too
16: Scared
17: Family Band
18: Blow At High Dough

Encore
19: Summer Is Killing Us
20: COVER: “Cold Metal” by Iggy Pop
21: Fire in the Hole

Hugh’s Review: 2007-04-12 – Detroit, MI

The Hip played a high energy show to a sold out State Theater in Detroit. The crowd pulsed with every beat the band played. Gord D. gyrated across the stage and feed off the reaction he got from his singing and dancing. He kept wandering to stage left where the fans were particularly into Gord’s performance. They were singing along and reaching out to him.

I was so impressed with The Hip’s performance. Every member was showcasing the talents they posses. Gord D. brought us along on his roller coaster ride with great singing, dancing and his uncanny ability to act out his emotions. Rob was on fire with blazing solos. Downie announced during the show that Happy Birthday wishes go out to Robbie on this day. Gord also said Rob shared his birthday with David Cassidy. (I’m sure there was an inside joke there). Paul was solid with his own leads and backing vocals. Gord Sinclair was plucking his bass and getting some incredible twangs. He really sounded good. I was most impressed with Johnnie Fay. His drum play was unassuming, yet powerful at the same time. I think the Bob Rock influence on Johnnie’s playing is noticable. John told me himself after the show that he has found a new groove. He played his stripped down Yamaha drum set so loud, but with great ease.

The show had many highlights. The set list included nice suprizes such as Thugs and Long Time Running. During Family Band a crowd surfer made it over the barrier with his pants well below his bare ass. Gord S. and Robbie got a good laugh from that. Nautical Disaster was good with Gord paddling himself across the stage into the end speaker stack. During Springtime a bra was thrown and landed in front of Rob. Gord eventually found it and sniffed it warily. He began running back and forth across the stage waving it behind him. He eventually tossed it back into the crowd. He then casually walked over to Sinclair and wiped his brow with his white hanky. 100th Meridian was awesome with Gord boxing his mikestand and throwing it high into the air three times. It was bent and battered when he was done with it. He straightened it out and crouched down leaning against the base. He leaned back on the mikestand at a 45 degree angle. He was using it like a rocking chair. He put his hanky over his face and “fell asleep” while Robbie played esoteric riffs on his guitar. Gord began spinning with his blindfold over his face. He eventually jumped up and ranted about dreaming he was spinning.

During Fully, Completely Gord was twirling his mike and cord ala Roger Daltry style. He began twirling it horizontally, letting it wrap around his neck like a tetherball on a pole. The mike would strike his neck and he would reverse it the other way. He did it numerous times. He ended the song using his hanky like the tail on a rooster/peacock.

The encore was fantastic. During Don’t Wake Daddy, Gord and Paul sang different lyrics at the same time. Gord went over to Paul and stuck his mike in Paul’s ear and sung loudly while Paul sang his own lyrics. Gord was trying to mess up Paul. Paul was laughing, but kept his part straight. This was followed by Black Day in July. The song was great even though Gord had to read portions of the lyrics. The show ended with On the Verge. Johnnie increased the beat 10 times to end the song. He was flailing wildly and came to a sudden stop.

After the show we were invited to meet Robbie, Paul and John at the Greektown Casino for a few birthday drinks. We had a great time chatting with the guys. Paul told me how he became a band member. I knew some of the story already, but he gave me some great background on how things happened. I like all the guys, but Robbie has always been especially nice to me and my wife Carolyn. He spoke to everyone while playing video poker. Johnnie, Billy Ray, The Hip’s manager and Rick, the head of security, were hanging out too. Paul paid me a nice compliment and told me I was one of the most intense Hip fans he has met throughout his years of playing. He hoped my interest in the the band would continue. With experiences like this….you know it will.