OK… I’m hearing rumblings that last night the cover tune was Iggy Pop’s “Lust For Life” and that they played NOIS > Nautical > NOIS!!!
If you’ve got the setlist from last night, please send it my way.
Thanks!
OK… I’m hearing rumblings that last night the cover tune was Iggy Pop’s “Lust For Life” and that they played NOIS > Nautical > NOIS!!!
If you’ve got the setlist from last night, please send it my way.
Thanks!
From ViewMag.com by Adam Grant
NO FRILLS ROCK AND ROLL
The Tragically Hip are known for many things. They are that one Canadian band that rarely ceases to sell out arenas and concert halls in their homeland, they consistently manage to release records that feature new Can–con radio staple songs, and they are the object of affection from their devoted fan base (“Hip Headsâ€), who’ve been known to give opening acts a hard time in hopes of seeing their heroes sooner. Perhaps though, the greatest thing they’re known for is their collective history. Having jump started themselves back in 1983, The Hip, Gord Downie (vocals, guitar), Paul Langlois (guitar), Rob Baker (guitar), Gord Sinclair (bass), and Johnny Fay (drums), have become one of Canada’s most celebrated bands with the trophies, national accolades and hall of fame memberships to prove it. On top of all of this, Universal Music put forth the quintet’s box set Hipeponymous in 2005, which usually means one of two things, the band is either on its way out, or just beginning a new phase in their existence.
With the 2006 album World Container, the latter looks to make more sense. Not only has The Hip made a mighty statement beyond the box set, but they have made a mighty statement in regard to where their career is heading. This didn’t happen by accident of course, and required work with world renowned Canadian album producer Bob Rock (Metallica, Bon Jovi, Motley Crue) to take The Hip to another level. “He always thought that our records just fell short of our live show and he wanted to help us with that,†explains Fay when discussing Bob Rock’s initial perspective of The Hip’s recording capabilities.
“Our live show is what we do, we play way more live than we do in the studio, so it totally makes sense. We’re not that incredible in the studio. (But) I don’t think that we have red light fever. Being in the studio we get better and better at it, but it’s not where we really shine,†he continues. “What (Rock) did was keep it far more live than we have been in the last couple of years. With the introduction of Pro Tools it’s very editing based) and you can really get bogged down by that, then all of a sudden you do have a studio record and how can you ever measure up live?â€
With said issues on everyone’s mind during the making of World Container, the finished product accurately reflects what The Hip does best, perform solid rock songs. Yes the writing is still there, but the performance of album opener “Yer Not the Ocean,†as well as subsequent singles “In View,†and “The Lonely End of the Rink,†showcase a band that is taking its live strengths and finding a way to translate them in a recording room, without any apparent roadblocks.
So when specifically looking back at the Toronto, Vancouver and Hawaii based sessions that led The Hip to an album such as this one, Fay can’t help but constantly praise the role of Rock, who not only helped expand the band’s talents, but “didn’t really screw around too much with the band dynamic.†Furthermore, what really hit Fay hard in a complimentary way, was Rock’s declaration that World Container is the “great Canadian album,†he’d always been looking to participate in, as well as the overwhelming dedication the producer demonstrated when working with the band during a real life changing occurrence. “His father passed away while we were making the record and you think about everything that he’s achieved. He came in after the service and listened to four hours of me and another guy hitting the drums just to get the sound right. He had committed to us that he was going to help us make this record,†praises Fay. “He was really there for us, and going through that was a very tough time. His dad was sick for awhile and (Rock) completely blew our minds by how devoted he was to the album.
He works with Metallica, he sells 30 million records, but he says that this is one of his happiest experiences. That’s very cool.â€
Hip fan BIGVDOGG posted his video of Blow At High Dough from Oshawa to Google Video.
Thanks BIGVDOGG!
01: The Lonely End of the Rink
02: New Orleans is Sinking
03: Grace, Too
04: Bobcaygeon
05: Family Band
06: Ahead By A Century
07: In View
08: Poets
09: Fiddler’s Green
10: World Container
11: Springtime in Vienna
12: At the Hundredth Meridian
13: Long Time Running
14: The Kids Don’t Get It
15: Fully Completely
16: Wheat Kings
17: Yer Not The Ocean
18: 3 Pistols
19: Blow at High Dough
Encore
20: The Drop-Off
21: COVER: “Like A Rolling Stone” by Bob Dylan
22: Little Bones
Hip fan Jeffro has posted a video of At The Hundredth Meridian to Google Video. Check it out as it’s from a point of view we rarely see.
Thanks Jeffro!
01: The Lonely End Of The Rink
02: My Music At Work
03: Grace , Too
04: Boots Or Hearts
05: Family Band
06: Ahead By A Century
07: In View
08: Nautical Disaster
09: Bobcaygeon
10: World Container
11: Springtime In Vienna
12: At The Hundredth Meridian
13: It’s A Good Life If You Don’t Weaken
14: The Kids Don’t Get It
15: Fireworks
16: Long Time Running
17: Yer Not The Ocean
18: New Orleans Is Sinking
19: Fire In The Hole
Encore
20: COVER: “Hang On To Yourself” by David Bowie
21: Escape Is At Hand For The Travellin’ Man…
22: Blow At High Dough
The sitting/standing debate continues… and it was funny to see people complain that others were standing and dancing!
The show was a good one, from start to finish – with only a few low spots for me.
– I still have no idea what song they were covering, despite the fact I’ve been told it was “Hang On To Yourself†by David Bowie.
– Escape was perfect.
– Blow got the fans of the old Hip back on their feet, and told them the night was over.
Gord was much more appreciative of the crowd tonight than he was in Barrie. He even thanked most of us by name, pointing to people and saying a name… He closed the main set with, “You make this easy; thank you!”
The encore was closed with him blowing kisses to the crowd, wishing us a “Nightie, night!” and then he drove the microphone into the stage with a thud, and walked away.
01: The Lonely End Of The Rink
02: New Orleans Is Sinking
03: Fully Completely
04: Gus: The Polar Bear From Central Park
05: The Drop-Off
06: Ahead By A Century
07: In View
08: Gift Shop
09: The Last Of The Unplucked Gems
10: World Container
11: Courage (For Hugh Maclennan)
12: At The Hundredth Meridian
13: It’s A Good Life If You Don’t Weaken
14: The Kids Don’t Get It
15: Fireworks
16: Bobcaygeon
17: Yer Not The Ocean
18: Grace, Too
19: Blow At High Dough
Encore
20: COVER: “Big Yellow Taxi” by Joni Mitchell
21: Family Band
22: Little Bones
As originally posted on NorthernLife.ca
Date Published: Jan. 29, 2007
The Tragically Hip played a sold-out concert at Sudbury Arena Saturday night.Earlier in the day, three members of the Canadian band surprised local high school students when they walked into Confederation Secondary School to catch the Evolutionary Band in rehearsal.
“The band and crew were caught completely by surprise,” says band director Norm McIntosh.
Evolutionary was being filmed by a local production crew working on a full length documentary on The “REAL School of Rock.
“Members of the film crew were also treated to personal interviews by the Hip on the important topic of music education,” says McIntosh.
The Hip knew how to please Sudbury fans, playing an encore of Sudbury Saturday Night.