The Hip Tracker is Dead.

That’s right fans; The Hip Tracker is dead.

Last week some arrogant jerkoff decided to hack our server and delete the Admin accounts, along with add their own graphics, and generally be a pest. This forced our hand and we implemented an upgraded version of the tracker software.

This turned out to be a good move, but sadly the loser hacker saw it as a new challenge and eventually gained access to the accounts and made changes, sent spam messages, deleted users, etc. which brings me to the point: The Hip Tracker as you knew and loved it is dead.

If you have any ideas on how to resurrect it, please let me know.

The Aspen Times- Tonight: ‘world’s tallest midgets’

Tonight: ‘world’s tallest midgets’

Belly Up brings talent from north of the border


ASPEN — It’s a big-name rock band headlining at Belly Up Aspen on Monday. Tragically, The Hip probably doesn’t ring a bell.

The Tragically Hip, better known simply as The Hip to their fans, are hugely popular north of the border, but the Canadian quintet has never hit mainstream success in the States. Consequently, a band that plays sold-out arena shows at home, judging from several web bios, appears in smaller venues and clubs below the boarder. The band heads from Aspen to the Boulder Theatre on Tuesday before turning south for dates in Texas and New Orleans.

Drummer Johnny Fay reportedly once quipped that being the biggest band in Canada is “like being the world’s tallest midgets.”

The heights of their U.S. success not withstanding, these guys were inducted into the Canadian Music Hall of Fame in 2005. They’ve got some 10 studio albums, a couple of compilations and a box set to their credit since emerging from Kingston, Ontario in 1983.

Their latest, “World Container” was released in Canada late last year and in March in the United States. The third track “In View” quickly charted in Canada — the latest in a long string of homeland hits for the band.

When the group played Halifax, Nova Scotia last month, reviewer Stephen Cooke of The Chronicle Herald in Halifax, wrote: “Few Canadian bands thrive in the bloodstreams of their listeners like The Tragically Hip.”

The band’s current lineup features Rob Baker on lead guitar, Gordon Downie on lead vocals and acoustic guitar, drummer Fay, Paul Langlois handling rhythm guitar and backing vocals, and Gord Sinclair on bass and backing vocals.

Opening for The Hip is up-and-coming Canadian singer/songwriter Joel Plaskett and his band, Emergency, touring in support of their 2007 release, “Ashtray Rock.”

The band is dubbed Joel Plaskett Emergency; Plaskett has several East Coast Music Awards to his credit in Canada, including male artist of the year, single of the year and songwriter of the year.

Tickets to Monday’s Belly Up show are $40. The music starts at 10 p.m., after Monday Night Football (the Giants at Atlanta) on the club’s big screen. Doors open at 6 p.m. for the football (no cover until the music). 450 S. Galena St.

Also on Monday: Aspen Community Church hosts the Shooting Stars Concert at 7:30 p.m. featuring singer/songwriter Steve Brook from Spain. Hear his John Denver tribute song, “Shooting Stars,” and learn about its connection with Laurie Olson’s new book of the same name. $10 donation. 200 E. Bleeker St.

Canadian Beatles and the Maritime Elvis

Canadian Beatles and the Maritime Elvis

The Aspen Daily News
http://www.aspendailynews.com/article_22203

Jason Hood – Time Out Music Columnist

Fri 10/12/2007 06:01AM MST
To many Canadians there are only two indigenous bands of note: From the mid-’70s to the late-’80s it was Rush and from the later-’80s to the present it has been The Tragically Hip. Of course there have always been pugnacious fans of Canadian artists like Bryan Adams, Celine Dion, The Barenaked Ladies and Anne Murray, but Rush and The Hip are national treasures akin to Elvis Presley here in the States or the Beatles in England (or to a lesser extent, Bjork in Iceland).

For those of us who can remember the birth pangs of the alternative music movement, The Tragically Hip was like a collective firstborn; the fraternal sibling of The Pixies, Husker Du and The Replacements. Their sound was then and has always been fresh, adventurous, bold and haunting like a dream, both strange and erotic.

Those early days of alternative radio as pioneered by the still influential KROQ in Los Angeles will forever stay with me. They represent, for millions, the heady days of summer and slumber and of thinking you were at the forefront of a cultural revolution. This fair was not for the weak of heart; it was music that groomed a generation of forward thinkers and idealists as well as cynics, clackers and slobbering, ne’er-do-well alt-geeks like myself and my good friend, Jimmy the Pitbull. The Hip was part of that experience.

The Tragically Hip will be playing Aspen’s Belly Up on Monday, Oct. 15.

The band was formed in Kingston, Ontario in 1983 and by 1987 they had released their eponymous E.P., The Tragically Hip.” There was an immediate visceral response to their sound and steadily increasing buzz about their weird and wild live performances. It was a word of mouth and shared cassette campaign that led The Hip to release their much-anticipated full-length album “Up To Here.”

“Up to Here” is awash in gritty thick guitars and the passionate nuanced vocals of Gordon Downie. And while there is not a song on the album one might skip, the third track, “New Orleans is Sinking,” is a standout. Recorded 15 years before the Hurricane Katrina disaster, “New Orleans” is an eerie forecast of that city’s catastrophic flood. On the track Gordon Downies’ voice is reminiscent of dark balladeer Nick Cave and when he sings “My memory is muddy what’s this river that I’m in? New Orleans is sinking man and I don’t want to swim,” it is hard not to get a lump in your throat. From the beginning of the song, the guitar sounds like a parade of bubbles dancing up from an Atlantic on the rise. The steady rhythm of bass and drums could be the terrible crumble and crack of a levee breaking. Just as powerful as the recording is the re-shot video that captured the brutal, sad aftermath of government incompetence and Mother Nature’s cruel wrath.

The attraction of the sea in all its horror and glory is a recurring theme in The Tragically Hip’s lyrics. Like the now defunct dancehall punk band, The Murder City Devils, The Hip have a penchant for maritime lore and nautical chanty’s that invoke the tragedies and romance of sea faring angels and devilish rapscallions.

Vocalist Gordon Downie is indeed a gifted lyricist. He truly knows how to spin a yarn. Turns of phrase and poetic license make for enjoyable reading, as well as intense listening pleasure. But it is in The Hip’s live shows where Downie truly lets his imagination roam.

Incorporating stream-of-thought rants, antidotes and accents, it sometimes sounds (and looks) as if he is suffering from Tourette Syndrome. The stories he tells in his digressions read like a compendium of modern literature. Oftentimes they are autobiographical mini-stories, which are of course completely fictional. One story involves him getting his arm ripped off while working as a diver in an amusement parks killer whale tank. Another story tells how he tied his friend to the railroad tracks but was unable to rescue him from the oncoming train. Yet another has him rescuing a family trapped in their car at the bottom of a frozen lake. These tales go on and on and he never repeats them. Every Tragically Hip show is a completely unique experience; a trick that has kept them relevant for more than 20 years.

I believe wholeheartedly that catching The Hip in such a small venue will be one of my great concert experiences. I hope you all will come and share the spectacle with me.

Also, just announced local rockers and all around good guy and gal The Friendly Dictators will be playing a free show at Belly Up on Friday, Oct. 19. Come check ‘em out. You won’t regret it.

hood@aspendailynews.com

SETLIST: 2007-10-10 – San Francisco, CA

The Warfield, San Francisco, CA

01: The Lonely End Of The Rink
02: Grace, Too
03: My Music at Work
04: Gus: The Polar Bear From Central Park
05: Family Band
06: Ahead By A Century
07: Gift Shop
08: In View
09: Poets
10: Pretend
11: Fireworks
12: At The 100th Meridian
13: Escape Is At Hand For The Travellin’ Man
14: Fiddlers Green
15: Yer Not The Ocean
16: Locked In The Trunk Of A Car
17: Fire in the Hole

Encore
18: Put it Off
19: COVER: “Mr. Soul” by Buffalo Springfield
20: New Orleans Is Sinking

Now, a Dollar Is Really Worth a Dollar (Hip mention)

Now, a Dollar (Canadian) Is Really Worth a Dollar (U.S.)

By PATRICK McGEEHAN
Published: October 1, 2007

New Yorkers, like most Americans, pay precious little attention to what happens in Canada, that large, sparsely populated region with the chronically inferior currency.

Check that last part. Now that the Canadian dollar, known as the loonie, has flapped its way to parity with the American dollar (formerly known as the almighty), Canada suddenly looks like a proud nation of 33 million people whose cross-border purchasing power has grown by more than half in five years.

Tourism officials in New York have taken notice. They acknowledge that they took Canadian visitors for granted in the past, but now they are drawing up plans to lure more of them to the state and New York City.

The state is running ads in Toronto newspapers and on Canadian Web sites, inviting Canadians to spend fall weekends in northern and western New York. The city’s tourism agency, NYC & Company, is rushing to open an office in Toronto, which would be its first in Canada. “This seems like sort of a psychological opportunity,” said George A. Fertitta, the chief executive of NYC & Company, referring to the parity of the two currencies.

The Canadian dollar, nicknamed for the image of a loon that it bears, passed its American counterpart on Friday, when it hit a new 31-year high of almost $1.01. In early 2002, it was worth about 62 cents.

Back then, the flow of visitors from Canada to New York City was in a post-9/11 swoon. The number of visitors dropped to 693,000 in 2003, from 920,000 in 2000, a decline of almost 25 percent. By last year, it had rebounded to 840,000, making Canada the No. 2 foreign source of visitors, behind Britain, according to NYC & Company.

Now, with Canadians brandishing their reinvigorated loonies, tourism officials have stopped ignoring them and started encouraging them to join the parade of bargain-hunting foreigners flooding into New York. When it comes to shopping, little prodding seems to be required.

“Friends will be coming to town and they’ll say, ‘We need one day to shop,’” said Jeff Breithaupt, an Ontario native who coordinates cultural activities for the Canadian Consulate in Manhattan and is an editor of a newsletter titled The Upper North Side. For Canadians, said Mr. Breithaupt, the advent of parity between the currencies has become both a point of pride and a spur to travel. His own parents had been “on the fence” about a trip to the city later this year, he said, but they told him last week that they would come, citing the exchange rate as a deciding factor.

Mr. Breithaupt, who also organizes a series of concerts by Canadian musicians at Joe’s Pub in Greenwich Village, said he expected more Canadians to venture south next month to hear the Tragically Hip, a rock band that sells out arenas in Canada, perform in the more intimate venue of the Grand Ballroom in Manhattan and other clubs around New York.

The shopping and spending habits of Canadians are not markedly different from those of American tourists, Mr. Fertitta said. He estimated that the typical Canadian visitor might spend slightly more than the $370 the typical American visitor spends in the city, but far less than the estimated $1,400 that the typical visitor from overseas spends. That gap explains why the city has focused its 2007 tourism promotion on Europe, including ads portraying New York as a bargain for foreigners, he said.

But officials at the Empire State Development Corporation, a state agency that promotes business, decided to strike while the loonie is hot. They spent about $1 million on ads aimed at the potential visitors in the Toronto area this summer and plan to spend an equal amount trying to attract them this fall, said Thomas Ranese, chief marketing officer for the agency.

“I think Canada’s a significant market for us that New York State has never fully optimized,” Mr. Ranese said Thursday, speaking by phone from Chautauqua, near Lake Erie. He said he had just left a resort, Peek’n Peak, about 90 miles southwest of Buffalo, where he said about half of the cars in the parking lot bore Ontario license plates.

Mr. Ranese said incoming traffic from Canada had risen in recent weeks, much of it headed for shopping malls. The trick, he said, would be to convert more of those day-trippers, like Mike and Jennifer Fields of Hamilton, Ontario, into overnight guests.

The Fieldses, who were bound yesterday afternoon for a duty-free store on the American side of Rainbow Bridge near Niagara Falls, said they were lured by the Canadian dollar’s achieving parity, combined with the local sales-tax rate of 8 percent, compared with 14 percent in Ontario.

“It’s so cheap over here,” Ms. Fields said. “This is the first time I’ve come over in a long time — more than 10 years.”

For those who stay overnight, there is an added bonus: They can bring back $400 in purchases without paying duty at the border, as opposed to $50 for day-trippers.

Joseph Sanelli, the general manager of the Four Points by Sheraton hotel near Niagara Falls State Park, said he was not sure the tax savings would motivate visitors to stay longer, but the exchange rate shift had provided a late-summer boost. Occupancy was 92 percent in the past month, up from 72 percent in September 2006, he said. “Usually after Labor Day, you can just about lock the doors,” he said.

For Canadian visitors, the cold shower on their newfound pride comes on the way out. At the border bridges operated by the Niagara Falls Bridge Commission, the fare can be paid with $3 American or $3.50 Canadian — a far cry from parity.

Drivers are complaining to toll takers, “Gee, our dollars are about at par, why is the toll so different?” said Tom Garlock, the commission’s general manager.

Lately, he said, more of them have been holding on to their loonies and paying in United States currency. The commission, which raised the toll last spring from $2.50 American (the Canadian rate did not change), is considering another adjustment to account for the exchange-rate shift, Mr. Garlock said, but first it wants more evidence that parity is here to stay.

David Staba contributed reporting.

SETLIST: 2007-10-01 – Eindhoven, Netherlands

Here’s the review from the show that Big A sent in:

Best fucking show topnight
Thuigs daddy fidders spring wheat locked

Setlist
01: The Lonely End Of The Rink
02: New Orleans Is Sinking
03: Don’t Wake Daddy
04: Ahead By A Century
05: In View
06: Gift Shop
07: Family Band
08: Courage
09: Thugs
10: Fiddler’s Green
11: Yer Not The Ocean
12: Locked In The Trunk Of A Car
13: Wheat Kings
14: Blow At High Dough
15: Fire In The Hole

Encore
16: Luv (Sic)
17: Something On
18: Fully Completely

img00024.jpg

SETLIST: 2007-09-30 – Cologne, Germany

Prime Club, Cologne, Germany

01: Yer Not The Ocean
02: New Orleans Is Sinking
03: Escape Is At Hand For The Travellin’ Man…
04: Gus: The Polar Bear From Central Park
05: In View
06: Bobcaygeon
07: Nautical Disastar
08: Courage
09: Pretend
10: Family Band
11: At The 100th Meridian
12: Ahead By A Cenytury
13: Luv (sic)
14: My Music At Work
15: Little Bones

Encore
16: At The Lonely End Of The Rink
17: Fireworks

The Hipfans in attendance described the club as being “smaller than the Horseshoe”…