Review: 2006-11-01 – Calgary, AB – MacEwan Hall

1. Lonely End Of The Rink
2. Twist My Arm
3. In View
4. ABAC
5. Drop Off
6. Dire Wolf (!)
7. Gift Shop
8. Fly
9. Fireworks
10. Pretend
11. 38 Years Old (!!!!)
12. Music At Work
13. Luv(sic)
14. Are We Family
15. Kids
16. Greasy Jungle (holy shit batman… this rocked!)
17. Ocean
18. New Orleans Is Sinking
19. Family Band

20. Summer
21. World Container
22. Blow At High Dough

REVIEW: 2006-10-28 – Calgary, AB

Inspired Hip brings new music to life at sold-out Mac Hall run

Colourful crowd laps up Downie’s rock machine

Heath McCoy, Calgary Herald

Published: Sunday, October 29, 2006

The Tragically Hip performed Saturday at the University of Calgary’sMacEwan Hall. The band also performs at Mac Hall tonight,Oct. 30 and Nov. 1. The shows are sold out.

So has the revival of the Tragically Hip carried from their latest record to their live show? That was the big question going into the band’s Saturday night gig at the University of Calgary, the first of four sold out concerts at Mac Hall. The Hip answered it instantly from the evening’s opening notes with Bobbie Baker coaxing siren sounds from his six string as the Kingston, Ont., band burst into the bombastic rock of The Lonely End of The Rink, one of the many standout tracks on the Hip’s new album, World Container, released a couple of weeks back.

As for the band’s resident poet, singer Gordon Downie, who’s shamanistic stage presence has made the Hip one of Canada’s most distinct and beloved bands?

Dressed all in black, looking lean, healthy, and happy — which has by no means been the singer’s natural demeanour over the years — he seemed to be somehow reinspired by the songs on World Container.

Those manic, interpretive dance moves of his were as intense and quirky as ever Saturday, but he also seemed to be having fun with them.

The refreshingly simple, love letter of a pop song In View was another one of the new songs and it had fans singing and dancing along enthusiastically. Sure, it’s the album’s kickoff single and people have heard that one, but The Drop-Off went over well too with anyone in the audience who gave it a chance.

And there’s no reason they shouldn’t have, with the tune’s insistent, catchy pulse and Downie’s urgent vocals — which were raving and wild yet tightly focused, the singer dramatically swimming up from the bottom of some dark whirlpool in his mind as he belted out the lyric.

Notably, these songs held up beautifully against the Hip’s classics like the rock radio staple New Orleans Is Sinking, the feverish, acoustic-fired dream of Ahead By A Century, and Fifty-Mission Cap, which brought one of the night’s most heated performances.

Quite simply, the Hip is on a high, better than they’ve been since that initial golden run they had in the ’90s that made the country fall in love with them.

For this we can thank Vancouver producer Bob Rock who manned the boards on the Hip’s latest release.

Rock made his name as the studio wizard who brought heavy metal brutes like Metallica and Motley Crue their greatest commercial success and a lot of Hip fans took to grumbling when they found out he was going to be working with their favourite band.

It would be a sellout, they said. Rock’s perfectionist touch was going to polish away the Hip’s literary soul.

Clearly that wasn’t the case. This band had been spinning its tires for too long now and somebody needed to pull them out of their rut. Rock has done so.

The Hip is wielding rock hooks again, ones that actually pack a sting, and this is something they’ve shied away from for a long time while trying to be profound.

There was a worry though, that in tampering with the Hip’s engine Rock might screw things up in one department where they’ve really never lost their fire, and that was their live show. Thankfully, as the Hip proved Saturday, that was not the case.

This colourful crowd of 2,000 — which included a Stormtrooper, a farmer with a pig attached to his nether regions, and a couple of Britney Spears and Kevin Federline lookalikes — hey it was the weekend before Halloween — left Mac Hall well satisfied.

Those in line for the next three gigs have much to look forward to.

Songs stats since the release of World Container

In the 6 shows since WC was released on October 17, The Hip have performed 120 songs – 59 different tracks. Here’s what has been played so far (some of the rarer tracks are bolded):

  • 38 Years Old
  • 50 Mission Cap
  • Ahead By A Century
  • At The Hundredth Meridian
  • Blow At High Dough
  • Bobcaygeon
  • Boots Or Hearts
  • Courage
  • Don’t Wake Daddy
  • Escape Is At Hand For The Travellin’ Man
  • Family Band
  • Fiddler’s Green
  • Fireworks
  • Fly
  • Fully Completely
  • Giftshop
  • Good Life
  • Grace, Too
  • Gus
  • Heaven Is A Better Place Today
  • In View
  • It Can’t Be Nashville Every Night
  • Lake Fever
  • Last Night I Dreamed You Didn’t Love Me
  • Last Of The Unplucked Gems
  • Lionized
  • Little Bones
  • Locked In The Trunk Of A Car
  • Long Time Running
  • Luv(sic)
  • My Music At Work
  • Nautical Disaster
  • New Orleans Is Sinking
  • On The Verge
  • Pigeon Camera
  • Poets
  • Pretend
  • Puttin’ Down
  • Save The Planet
  • Scared
  • Sherpa
  • So Hard Done By
  • Springtime In Vienna
  • Summer Is Killing Us
  • The Dire Wolf
  • The Drop Off
  • The Kids Don’t Get It
  • The Lonely End Of The Rink
  • The Wherewithal
  • Three Pistols
  • Tiger The Lion
  • Titanic Terrarium
  • Twist My Arm
  • Use It Up
  • We’ll Go Too
  • Wheat Kings
  • World Container
  • Yawning Or Snarling
  • Yer Not The Ocean

Review: 2006-10-28 – Calgary, AB – MacEwan Hall

I’ll use two words to describe this concert: Fiddler’s Green

That’s right fans, they played Fiddler’s Green at last nights concert in Calgary. It was rumoured that The Hip rehearsed every song in the catalogue in preparation for this club tour, and by the look of the recent setlists, I think we can consider that rumour confirmed.

I haven’t get the correct setlist, but here’s what Billy from hipbase recalled:

Rink
NOIS
In View
Use It Up
ABAC
The Drop Off
M@W
LuvSic
Springtime
Nautical
Kids
Fiddlers
World Container
Boots Or Hearts
Fly
Wheat Kings
50 Mission
Family Band
Ocean

Encore:
Pretend
We’ll Go Too
Verge

Review: The Globe & Mail on 2006-10-17 – Toronto

globeandmail.com: Tragically Hip: New album, fab show

BRAD WHEELER

From Tuesday’s Globe and Mail

THE REP

The arena band from Kingston, Ont., hasn’t been cool in a while, its wild popularity in Canada working against it in the hearts and minds of those who show no love for music’s Goliaths. But then, the band’s last albums have been relatively unsuccessful. The overdog is now the underdog, with a new record that is thought to be its best in years. Can the Hip — members of the Canadian Music Hall of Fame — now gain the favour of the oh-so musically savvy?

THE LOOK

Singer Gordon Downie, the band’s crucial and tall performer, feels “feverish and fluid.” He is jittery and on the verge, with a reedy tenor that is intense and a manner that is gesturing. Not known as fashionable, he wears clothes that could be seen as either workmanlike or mod, black from cap to shoes. A red handkerchief, employed as a bullfighter’s cape or more often as a sweat rag, is the sole decoration. Four bandmates play fiercely, but don’t distinguish themselves visually.

THE ROCK

Sunday’s appearance at the Phoenix Concert Theatre is the first of four sold-out Toronto shows, the smaller venue part of a promotional tour that heralds World Container, the band’s 11th studio album. The disc is a departure — the melodies are less muscled, the sound more layered. The album’s Queen-like title track comes off as brawny cabaret, and Pretend is downright Burt Bacharach. Other new ones include power-pop single In View and the urgent show-opening The Lonely End of the Rink. After hockey-themed oldie Fifty-Mission Cap, hosers yell, “Go Leafs Go,” to which Downie responds, “They held a rock ‘n’ roll show and a hockey game broke out.”

THE REALITY

After the uber-blues of Blow at High Dough, the droning rocker Family Band closes the set. The song speaks to the band’s camaraderie, as well as its relationship with its fans. At times, the stage lights extend into the crowd, showing wide grins and gladness from ball-capped and jersey-clad supporters who wouldn’t wish to be anywhere else. Downie sings about music that plays big in the towns but fails to grip the cities, referring perhaps to metropolitan audiences who prefer buzz-music trends to homegrown stalwarts and maple-leaf nationalism. Band and audience — exhilarated all evening — exit beaming and grateful. Is this hip? No, just enduring and genuine. The Tragically Hip continue at the Phoenix tonight and tomorrow, with dates in Calgary, Vancouver and Montreal to follow.

Hugh’s Review: 2006-10-23 – Toronto, ON

The Phoenix Theatre was filled with excited Hip fans anticipating the 9 pm start of a nearly two hour rock show. The temperature was quickly rising along with “The Hip” chants, as our boys from Kingston took to the stage to play every song from their new album. The new tracks were intertwined with many long time favorites. Fans old and new, were singing along to many of the new tracks, but the seldom played Pigeon Camera and Titanic Terrarium were the suprises of the night.

The show started with Family Band and went into the classic Courage. Gord battered his mikestand back and forth throughout the song, finally sending it crashing to the floor. He then walked over to the dislodged mike, grabbed it between his feet and used a common soccer move to kick the mike backwards over his shoulder and into his hand. A few songs later Gord asked the crowd if anyone remembered Gus as he roamed from side to side on the stage like an angry polar bear, just before the song began. This was followed by Poets and an animated Downie who strutted back and forth like a rooster/peacock, fluttering his red handkerchief behind him like a tail. Gord ended the song by holding the base of his mikestand to his crotch and extended it like a giant penis out over the crowd. The fans responded by screaming wildly at him.

The Hip are always a hard working band, but I noticed that each band member’s shirt was as sweat-soaked as Gord Downie’s this night. The 100th Meridian was awesome as Gord danced wildly next to Robbie as he ripped through his solo for that song. I was impressed by Johnny Fay’s drumming all night, but he was more than exceptional on Titanic Terrarium. Johnny brought the song to a loud cresendo and back to a quiet beat with his drumming. He was switching back and forth between his regular drumsticks and his padded toms. In fact, the song ended with him using one of each.

The Hip played a 20 song main set, then returned for a two song encore which ended with Fire in the Hole. Gord D. is always very entertaining to watch because of his on stage antics and the emotion he puts into the delivery of his lyrics. During the last song, he did something I have never seen him do before. We are all familiar with his mikestand battles and how he deftly kicks it back and forth. Last night he “stickhandled” the mikestand using only his feet. The mikestand was just like a hockey stick as he manuvered it from side to side, never losing control for over a minute, never touching it with his hands!

Overall this was a great show. I really enjoyed how all the World Container tracks sounded great live. It seemed as if the band really enjoyed playing them. It was also good to see all the fans singing along to all the new songs less than one week after the new release.

Review: 2006-10-17 – Toronto, ON

The “secret” show to launch World Container was held last night as The Horseshoe Tavern in downtown Toronto. We arrived at 8:15pm (the email telling us about the event said the doors were at 8, show at 10) and the venue was sparsely populated, but the anticipation was palpable.
2006-10-17 - Toronto, ON SetlistThe band took the stage promptly at 10pm and ripped into The Lonely End Of The Rink followed by a barrage of new tracks and classics. Gord D was more talkative than normal, thanking the crowd and those involved with the production/release of the album on numerous occasions. He seemed really thrilled to be on stage, singing their new tracks and his excitement was shared by the other guys in the band, as evidenced by the perma-grins that they wore all evening.
The crowd was receptive to the new tracks, and the drunk “Captain Canada’s” seemed to be strangely absent making foor an even better show. The only downer of the evening was that as this was a radio contest there were a lot of people there just because they won tickets – no real interest in the band outside of NOIS and Little Bones.

The Horseshoe holds about 400 people, and judging by the number of fans who came up and said hello to me, I’d wager that at least 40% were fans who acquired tickets through MAv and thehip.com/hipbase.com Ticket Stash. (Thanks again MAv!)

Audio (4 sources) and video (5 cameras at least) were recorded. This show will be in the vaults for a while as I have a huge list of shows already queud up for editing.

Review: 2006-09-18 – Whitby, ON – Waterkeepers

Heart Of A Lake tourI just got in from the Whitby event; what a great evening.

First off, visit http://www.waterkeeper.ca/ and learn how you can help.

Secondly, if you can go to one of these events, do it.

After a interesting and educational talk by two of the Waterkeepers the stage was turned over to Gord who strolled to the middle of the stage, sat down and picked up a guitar. He was funny and insightful, chatting with the audience rather than making a speech. In between his chats there were a couple of poems read by another artist (Tanis Rideout) and some interpretive dancing (Andrea Nann).
The following songs were performed:

Into The Night
My Name Is Figment
Willow Logic
Goodnight Josephine
The New Maybe
Christmastime In Toronto
Pretend

After the show all of the performers gathered in the lobby to discuss the issues with those in attendance.

Hugh’s Review: 2006-09-09 – Straford, ON

This was a wonderfully enjoyable show. It definitly had a southern Ontario feel to it, and that’s a good thing! The show took place in the middle of a huge plowed-under cornfield on the outskirts of Stratford, Ontario. (As a tribute to Lord Brazle I dub it the ” Dope Deal in the Middle of a Cornfield” show. The setlist involved a great mix of old and new songs. The surprising thing to me about the show was that THe Hip’s long time road crew was replaced by faces that I assume came from the new management company. Leather-hatted Billy Ray is the only roadie left from the previous crew. Just before The Hip came on stage I thought I spotted Bob Rock standing in the stage left wing on Paul’s side. I wasn’t sure, but that blond mane of hair is almost unmistakeable. This was later confirmed when Gord D. dedicated Don’t Wake Daddy to “Bob”. Who else could it be? After hearing of the great live performances the band is known for, I guess Bob had to see it for himself. He wasn’t disappointed in my opinion. I loved the show and this is number 30 for me.

The Hip played four new songs from their upcoming CD release. “In View” made it’s live debut. I think it rocks and I throughly enjoyed it. Just as Fort York 2 had its 38 Years Old suprise, this setlist included 50 Mission Cap! As the song played on, Gord walked along the feed back speakers at the front of the stage like he was balancing on a log placed precariously between two nearby cliffs. He “fell off” then began using his speaker like a Stair Master machine. He was pumping his arms and legs in a running motion while going up and down on the speaker. His antics had Gord S. and Robbie laughing between each other as they played different songs.

The best songs of the night for me were numbers 12-15 in the 17 song main set. These included “In View, Don’t Wake Daddy, Wheat Kings and Poets”. Gord broke out my favorite peacock imitation during Poets. I almost forgot to mention the very unusual camera angle used for the two big video screen feeds. It was directly above the band members head’s looking down. It provided great views of the finger work of Paul, Gord S. and Robbie as they played their guitars. Robbie’s guitar playing was magical. His guitar riffs were bluesy, crisp and hard. The last thing I want to mention was Gord’s almost full display of his acting/pantomime repertoire. During the jam just before the rant in 100th Meridian, Gord began crazy dancing and kicking his mikestand back and forth as he does so skillfully while reeling the mike back in with the cord. Next he jumped on his motorcycle straddling the mikestand. He put his full weight on the mikestand as he gunned the throttle and burned rubber down the road. Great camera views on the video feed, including the overhead I mentioned. Gord threw the mikestand down and it was bent in a moderate “U” shape. Gord squated down like a weight lifter and placed the bent bar on his shoulders and it appeared to be groaning from to much weight on each end. He pressed it to the top and let the feet of the mikestand slide down his shoulders until it landed on the stage in a somewhat upright manner. The bend was unmistakable. Gord used only his arms and hands to muscle the mikestand into a near straight position again. Now Gord used the mikestand to stir the giant cauldron of witch’s brew in front of him. Lastly he paddled up and down the stage with his mikestand/paddle and canoe before launching into the ending rant. Entertaining to say the least!

Good to see Chris, Jamie, Mark and all my pals from the Hipbase. As Chris mentioned there were numerous recording rigs. The crowd was intense in front of Gord and he asked them to tone it down a couple of times. There was a little minor pushing and shoving in the VIP section I was in on Robbie’s side, but not enough to ruin anything. Like everyone else, all I can do is wait for the album to drop and wonder what the touring schedule will be like.